“Composition is not a commodity; it’s something that matters, both to the author and the reader.”
I have just returned from the London Book Fair, where I enjoyed having the opportunity to meet with Westchester Publishing Services’ current and prospective publishing partners to learn more about their editorial and production needs, and share the ways Westchester can help simplify their processes.
According to veteran attendees, the London Book Fair this year seemed more active than usual. Publishers Weekly did a thorough job covering many of the hot topics being discussed at the conference, with articles covering subjects as diverse as publishing in times of political uncertainty, to growth in the industry. In addition, The Bookseller considered the impact of the Fair’s return to the Olympia London for the first time in over a decade.
Having a prime location next to the LBF Faculty sessions on scholarly publishing ensured the Westchester stand received a steady stream of traffic, including from prospects who may have heard from Westchester in the past, and were now able to meet with us in person. We enjoyed talking to everyone who visited our booth, whether they had a scheduled appointment or happened to drop by. We socialized online as well, posting regularly to Twitter, encouraging #LBF17 attendees to stop by and meet our new mascot, Wes T. Chester. (See photo, below.) Don’t fret if you weren’t in London though, Wes is a jet-setter and will attend BEA in New York City at the end of May!
I visit the U.K whenever I can, for work and some cultural travel as well. When I pass through Heathrow to fly home, if I have a few pounds left in my pockets I make it a point to stop by W.H. Smith’s and invest in a paperback or two to enjoy on my flight. Westchester typesets books for publishers in both the U.S. and U.K., but growing up in the States I always enjoy the slightly different tactile feel and format of a British book. One of the books I happened to pick up on this trip was one I’ve read many times, but given away all my copies of over the years – The Fellowship of The Ring by J.R.R. Tolkien. It was fortuitous I chose this title, as the 2004 HarperCollins U.K. paperback edition contains an opening essay by Douglas A. Anderson about the evolution of Tolkien’s work from edition to edition. Anderson writes a compelling account about the history of events which occurred, from Tolkien’s manuscript initially being mishandled by its initial typesetter, to the variations that sprang up from U.S. and U.K. versions of the book over the years, with words being changed, entire sections being dropped, and other typesetting errors which naturally irritated Tolkien. In between writing his subsequent works, Tolkien spent a great deal of time annotating pages in existing editions for his publishers to incorporate into reprints. Reading of Tolkien’s struggles with this title after talking with publishers all week at the London Book Fair about the quality of Westchester’s work, brought into sharp focus something I’ve been saying for years:
“Composition is not a commodity; it’s something that matters, both to the author and the reader.”
I’m proud of the work that Westchester does to help Macmillan, W.W. Norton, Bloomsbury, ABC-CLIO, Springer Publishing, Harvard University Press, and dozens of other publishers present their content in a high quality and accurate way to their readers. Call me today at 203-658-6581, or email me at tyler.carey@westchesterpubsvcs.com to learn how Westchester Publishing Services can help improve your publications program.
Learn more about Westchester Publishing Services here.