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IPG Summer Summit 2025

accessibility

May 22, 2025

On Wednesday, May 21, Westchester Publishing Services sponsored the IPG Summer Summit virtual event. The day featured several sessions covering tariffs, metadata, marketing, and accessibility. A full day, indeed!

Westchester’s Chief Revenue Officer Tyler Carey moderated the panel on accessibility, which featured panelists Julie Willis (Editorial Director and Systems Lead from Westchester, speaking on behalf of an absent client), Eileen Reilly (Digital Production Manager at Princeton University Press), and Michael Johnson (Vice President of Content from Benetech).

The IPG will be sharing the slides and video shortly, and we’ll update this blog post with those assets once they are available. But in the interim, here are the key topics that were covered:

  • The EAA deadline is approaching fast – June 28, 2025!
  • Julie and Eileen talked about the steps that two IPG-member presses are taking to prepare, including:
    • Evaluating all of the titles in your backlist in your ONIX feed and sales data, with a consideration towards remediation costs in mind. Titles that have high sales volume are being remediated first, but documenting decisions and future plans by title is also important. If a title is challenged for inaccessibility, being able to provide documentation regarding the accessibility plan for that title is a strategy that some publishers are taking to minimise risk.
    • Setting up author guidelines for the creation of alt text – like these ones on Princeton University Press’ site – is a key step to bringing accessibility into the process early on a frontlist title, and giving authors agency to write or influence the alt text of their content. Julie talked about the importance of this – especially on academic titles that go through peer review – as the author holds responsibility for the content in many cases.
    • Joining PAAG, DAISY, and Benetech’s GCA program, so that you have access to up-to-date information on accessibility practices and legislation.
  • Michael shared Benetech’s approach to accessibility, and answered questions on topics including:
    • Alt text – Michael shared guidance on the different needs for different use cases for an image. An image of the Eiffel Tower in a cookbook on crêpes might be decorative, and could be labelled as such. In a travel guide for Paris the same image might merit a description of the Eiffel Tower for a reader having the text read aloud to them. For a book on engineering, the same image might bear an alt text entry about its construction from iron instead of steel, augmenting what is in the text through a description of the Eiffel Tower’s structure itself.
    • Language shift tagging – this topic has been coming up more and more often for publishers exploring the requirements for WCAG AA standards, as they try to get ahead of the baseline level A standards inferred to be required for the EAA. Michael talked to how casual use terms and place names do not need to be tagged, but passages and alternating dialogue in different languages, as examples, should be tagged.
  • Lastly, best practices to really understand and embrace accessibility were discussed, including the recommendation to download Thorium or another accessible reading software, so that you can have your EPUB files read aloud to you to better understand the end user’s experience. Between this process and auditing ACE by DAISY reports on your titles, you will be better equipped to have quality accessible EPUB files that don’t just meet standards but also address the needs of end users.

Stay tuned for more accessibility information from Westchester, and please do visit our online repository of accessibility information, including this white paper.

Filed Under: blog, Conferences, Services Tagged With: accessibility, alt text, DAISY, EAA, European Accessibility Act, IPG, language shift tagging, PAAG, WCAG

April 30, 2025

What a year, right? With the approach of the EAA, decisions publishers are making about WCAG compliance, Title II, and Amazon changing its deliverable epub formats (again), the Westchester staff have been hearing quite a lot from our clients. To help address our clients’ questions, and also share information more widely, we put together this brief blog post about some key topics related to digital content and workflows, to help share our perspective and institutional knowledge.

Language Tagging Manuscripts

The goal of language tagging is to ensure that assistive technology can correctly interpret phrases, passages, and certain individual words presented in other than the document’s primary language. It is a requirement for meeting WCAG 2.x Level AA. It is worth noting, at this point the EAA does not explicitly require WCAG 2.x Level AA, but some publishers are more actively pursuing this higher level of standard to stay ahead of the game in case clarifications or new requirements force this requirement over time.

Language tagging is not necessarily needed on every publication. The stated exclusions to this rule are “proper names, technical terms, words of indeterminate language, and words or phrases that have become part of the vernacular.”

The proper names exclusion is taken to apply to “people, places, organizations” (and the like) per CMOS Shoptalk, the Random House Guide to Good Writing (Ivers 1991, which specifically adds “churches, streets”), and DAISY (which helpfully renders this simply as “names”). Titles of works are not part of this exclusion; see, for instance, the article “Declaring language in HTML” where the W3C uses a book title for their example. Technical Terms This exclusion applies to terms which have a technical meaning across languages. WCAG gives the examples of Homo sapiens, Alpha Centauri, hertz, and habeas corpus. In practice, especially within academic publishing and if the tagging is handled by a non-specialist, such terms can be harder to identify. Generally, any jargon falls into this category, but an understanding of the intended audience may also factor into whether to tag or not. Indeterminate Language Gibberish and most constructed languages belong to this category, but Esperanto has an ISO language code, as do Tolkien’s Elvish languages of Quenya and Sindarin, and Star Trek’s Klingon, so all those can be tagged. Part of the Vernacular Foreign words or phrases that find themselves in the English dictionary (to take this from the English perspective) may be excluded from tagging. WCAG gives “rendezvous” as an example. A perhaps better example would be “sine qua non.” If the text in question is italicized, and it’s not to show emphasis or to state the word as a word, that may be a good indication that it should be tagged. WCAG advises, “If there is doubt whether a change in language is intended, consider whether the word would be pronounced the same (except for accent or intonation) in the language of the immediately surrounding text.”

Amazon no longer supporting MOBI Fixed Layout files

As of March 18, 2025, Amazon no longer supports MOBI fixed-layout files. This is similar to when Amazon stopped supporting MOBI files for reflowable books on August 1, 2021. One difference is that besides EPUB, there is an alternate Amazon-specific format which may be more appropriate for some content, Kindle Package Format (KPF). If you are an Ingram CoreSource customer, they are setup to accept this format, and so digital asset management on their platform will be a seamless transition from FXL MOBI to FXL KPF. If you already have content posted to Amazon in the older format, you are not required to update it for it to remain on sale. But if you do update an existing file (e.g. to handle reprint corrections, replace back ads, etc.) you will be required to upload the new file in the KPF format.

Metadata

Rich accessibility metadata in EPUB and ONIX goes beyond ticking a standards box. It actively improves discovery and usability for readers, unlocks new markets, aids institutional buyers (libraries/education), and bolsters a publisher’s social responsibility image. Accessibility metadata within EPUBs makes them self-descriptive about their accessible features, helping users and systems find suitable titles. ONIX metadata allows distributors to “present this information to potential purchasers and readers” ahead of time, so they can make informed choices. Industry groups like DAISY and Accessible Publishing Learning Network (APLN) provide guidance on how to implement this metadata (see DAISY’s Inclusive Publishing “Metadata” page, which provided the preceding quote, and APLN’s “Accessibility Metadata Best Practices for Ebooks”), so that every accessible feature is documented and visible and may benefit users and publishers alike.

To comply with the EAA, metadata should be provided for the relevant accessibility items, particularly those from Codelist 196 and Codelist 143, though other metadata may apply as well (e.g., Codelist 81).

Whatever database or title management system you use to manage your metadata should have fields that correspond to the ONIX codes.

If you’re unsure of which accessibility features are included in your EPUB, you may get most of those details from an Ace report.

Probably the best resource (with explanations and examples of both EPUB and ONIX metadata) is the DAISY Accessible Publishing Knowledge Base metadata page. It still requires some technical understanding though.

The accessibility metadata in a typical EPUB for a non-fiction book with images, and which has been produced with the intent to be accessible, would look something like the following:

<meta property=”schema:accessibilityFeature”>ARIA</meta>
<meta property=”schema:accessibilityFeature”>displayTransformability</meta>
<meta property=”schema:accessibilityFeature”>pageBreakMarkers</meta>
<meta property=”schema:accessibilityFeature”>pageNavigation</meta>
<meta property=”schema:accessibilityFeature”>readingOrder</meta>
<meta property=”schema:accessibilityFeature”>structuralNavigation</meta>
<meta property=”schema:accessibilityFeature”>tableOfContents</meta>
<meta property=”schema:accessibilityFeature”>index</meta>
<meta property=”schema:accessibilityFeature”>alternativeText</meta>
<meta property=”schema:accessMode”>textual</meta>
<meta property=”schema:accessMode”>visual</meta>
<meta property=”schema:accessModeSufficient”>textual,visual</meta>
<meta property=”schema:accessModeSufficient”>textual</meta>
<meta property=”schema:accessibilityHazard”>none</meta>

This is not an exhaustive list. Other features may be present (MathML or long descriptions, for example), conformance level may be identified, and a summary (no longer required) should be included with other relevant info, especially if any shortcomings. And these accessibility metadata items are of course to be included in addition to standard metadata such title, author, and source ISBN.

One important note is that the accessibility summary for ONIX does not have the same guidelines as the summary for EPUB. So, while mapping to ONIX based on the Ace report generally works well, it is not necessarily advisable to copy that for the ONIX summary.

The Westchester team has the expertise you can rely on to make sense of the updated standards and guide you through changes you may need to make to your content to ensure it remains accessible and discoverable for your readers. Contact us to learn how we can help your publication program.

Filed Under: blog, Featured, News, Services Tagged With: accessibility, discoverability, EAA, epub, European Accessibility Act, inclusive publishing, language tagging, metadata, ONIX, Title II, WCAG

June 27, 2024

Westchester Publishing Services participated and was an exhibitor during the Association of University Presses Conference which took place in Montreal, June 10-14, 2024. This was the first in-person annual meeting since 2022 and turnout was respectably strong. Here are some of the insights shared by Bill Foley and Hugh Shiebler, who were in attendance.

Man wearing light button down shirt and brown trousers stands behind an exhibit table covered with a dark blue tablecloth and topped with neatly organized notebooks, papers, and pens.There were many topics covered during the conference session and in discussions among attendees in the exhibit hall and elsewhere. While everyone’s conference experience is different, these two themes seemed to continually feature in the conversations we were having with clients and fellow attendees:

Accessibility – with the European Accessibility Act coming into force about a year from now, this is understandably a very hot topic. Publishers have a relatively small window of time to figure out the best way to balance the needs of the EAA and prioritize the titles within their backlist that need to be updated to adhere with the guidelines. As a Benetech-certified vendor, we have been having a lot of conversations with publishers about how to adapt their workflow to make frontlist “born-accessible” and ways they can effectively manage converting backlist content to meet accessibility requirements. Along these lines, you may be interested in the webinar, “Path to eBook Accessibility” on July 10, hosted by Ingram Content Group, with the panel including Michael Johnson from Benetech, Richard Orme of DAISY, Cathy Felgar from Princeton University Press, and Westchester’s Tyler M. Carey.

AI – This vowel combination is dominating conversations everywhere you turn and not surprisingly, it received a considerable amount of attention at the conference. While there are some proponents who are excited about the potential it offers, the general sentiment about artificial intelligence among people within the AUP community is highly skeptical. Understandably, with the proliferation of fake books being sold on sites like Amazon, there are practical concerns about the ability for AI to ingest copyrighted materials without attribution, consent, or compensation, risking reputational and financial harm for authors and publishers. AI is evolving at a very rapid pace and discussion about where to draw the boundaries from ethical, legal, or financial standpoints will continue for the foreseeable future. In April the Stationers’ Company, with support from Westchester hosted the webinar “Artificial Intelligence and Its Impact on Rights and Intellectual Property” which explored some of the complex challenges the publishing industry is encountering.

While these situations get sorted out, Westchester will continue to be here to support university press and academic publishers as they shepherd their content through the publication lifecycle. When assessing your next season’s list of new titles, backlist materials, or content acquired content from another entity, let us know how we can guide you through your editorial, production, design, or digital conversion challenges. We’re here to help, so Contact Us to talk about how we can make this a less cumbersome process for your press.

Filed Under: blog, Conferences, News, Services Tagged With: accessibility, AI, artificial intelligence, Association of University Presses, AUP, conference, eBook, epub, intellectual property, IP, webinar

April 19, 2024

by Tyler M. Carey, Chief Revenue Officer

On Friday, April 12th, the Book Industry Study Group (BISG) once again graciously hosted their annual meeting in-person at New York City’s Harvard Club — as well as via an online stream for attendees not able to join for the day.  BISG is one of the premier US trade associations in the publishing industry, whose work is carried out through a small staff along with the volunteer efforts of professionals from every segment of publishing. I’m active on the Workflow Committee for BISG and I, along with Nicole Tomassi, Westchester’s Marketing & Conference Manager, joined a number of our colleagues from that esteemed group at a table for the day’s events.

Presentation slide with four circles labeled Inclusion, Research, Standards, and Education, connected by arrows

Versa Press’ Matt Kennell got the day started by introducing a panel consisting of outgoing BISG board director and CEO of IBPA Andrea Fleck-Nisbet, James Miller of Barnes & Noble, and Joshua Tallent from Firebrand Technologies. The panel examined the approach of embracing a Virtuous Circle of Inclusion → Research → Standards → and Education, a theme which echoed across the day’s panels. The discussion touched upon the past Trends publication from BISG, the dozens of webinars and events that are supported each year via BISG’s staff of 2 full-time employees, and the efforts of volunteers on their committees, as well as how BISG continues to work closely with companies throughout the industry to curate virtual and in-person events exploring topics ranging from sustainability to metadata to workflow to rights to subject codes, and more. Lastly, the panel zeroed in on the primary goals for BISG to achieve during the next three years, including:

1. Transforming supply chain communication
2. BISG at 50 (which happens in 2026)
3. Resource development
4. Membership growth
5. Membership retention

The balance of the day saw sessions including:
  • “The Case for Royalty Statement Standards”, moderated by Kris Kliemann from Kliemann and Company, outlining the need for standards on royalty statements in the industry. Panelists included Jennifer Weltz (President, Association of American Literary Agents; President, Jean V. Naggar Literary Agency Inc.), Lucina Schell (International Rights Manager at University of Chicago Press), and Donna Laing (VP of Royalties and Rights Data Management at Scholastic). For those of us not involved in rights, this was a fantastic education on the challenges with administering rights and royalties with so many segments of the industry reporting back on sales and returns in different formats and with different expectations.
  • Ken Brooks (Amplify Education) moderated the session, “Moving Out of the Tower of Babel: Improving Efficiencies Across the Supply Chain”, featuring speakers Claire Holloway (Manager of Publisher Relations, OCLC), Alan DuBose (Senior VP of Planning & Data Analytics, Books-A-Million), and Jessica Wells (Penguin Random House). The supply chain is a topic a bit more ubiquitous than rights across the industry as we each have a role to play in it regardless of our vocation, and the exploration of issues related to forecasting, leveraging actionable data within different systems in our tech stacks, and identifying shared pain points put this topic into a shared frame of reference for all involved that spurred further discussions at the reception following the meeting. With the absence of one point of data in the US, as Booknet Canada supports within the Canadian market, there are ongoing challenges we’ll be working through with the help of organizations like BISG.  An example query that a unified data set could help answer for market research and planning was “How many copies of The Great Gatsby were sold across all publishers after it went public domain?” Having access to that type of unified data would help publishers make better decisions on whether to expand or adjust plans for certain titles in their public domain editions lists, for instance.  Everyone walked away from this session with a list to think about specific to their portion of a book’s life cycle.
  • Connie Harbison (Baker & Taylor) conducted a “How Standards for Product Metadata Reflect Shifts in Culture” panel discussion with Geraldine Zephirin (Barnes & Noble), Michael Olenick (Clarivate), and Gina Wachtel (Penguin Random House) that looked at the need for standards, and leveraging BISAC Codes more effectively, as well as mapping them to Thema for international markets. The prior interim speech, “Metadata in Action: Understanding Industry Trends” by David Walter of Circana helped illustrate the picture of why clear, consistent metadata is important for helping ensure discoverability and industry tracking that benefits us all.  The panel’s emphasis on the practical – including hygiene tasks for clearing out outdated BISAC codes from your ONIX feed and metadata – made what can be an arcane topic accessible for those of us in the room who may not have a favorite BISAC code (as each panelist shared they did!).
Man speaking from podium at lower left hand corner of picture, with a large presentation screen behind him showing 2023 US Print Book sales figures
David Walter (Circana) discusses 2023 Supercategory Print Sales during BISG 2024 Annual Meeting
After lunch, three awards were presented including The Sally Dedecker Award for Lifetime Service to Phil Ollila of the Ingram Content Group, who was introduced by BISG and Stationers’ Company member Lorraine Shanley, and the BISG Industry Innovator Award presented to Scribd, who was represented by Andrew Weinstein.
Author Walter Mosley addresses the BISG Annual meeting from the podium on the stage in New York City's Harvard Club
Walter Mosley accepting the 2024 Industry Champion Award during the BISG Annual Meeting on April 12, 2024

The 2024 Industry Champion Award was presented to Walter Mosley by Michael Pietsch, CEO of Hachette Book Group and Mosley’s former editor. Mosley received the award not only in recognition for his body of work, but for his founding of the Publishing Certificate Program at City College of New York (CCNY), his alma mater. His efforts in developing an educational program to create awareness of the opportunities in the publishing industry for people of underrepresented backgrounds was the primary topic in his introduction and in his own speech. To Mosley’s credit, he challenged the room to do more than give him an accolade and move on, but to instead follow his example of driving change in the industry by hiring people from different backgrounds and improving the diversity within the companies involved in publishing books, ensuring all voices and audiences are being seen, heard, and properly represented.

Executive Director Brian O’Leary’s closing session – Book Publishing Next: Changes We Want to See in the Industry – marked the first time Brian has given a keynote during his BISG tenure and provided a capstone to the day by walking through how all of the topics introduced earlier (rights, supply chain, subject codes, metadata, inclusion, and more) were the inspiration for the 3 year plan that had been introduced at the start of the day by the board. Brian highlighted how more growth can be achieved through better management of rights opportunities, managing costs, and being more consumer focused. Brian’s consultative approach to the info gathered through surveys and committee meetings leading up to the event hearkened back to a comment Phil Ollila had made earlier in the day, “People like to be engaged, not managed.” By encouraging ongoing engagement with the audience and the volunteers that comprise the bulk of BISG’s momentum, Brian underscored how the industry plays a vital role in making improvements for the continued benefit of everyone within publishing, rather than a one-way keynote closing the day’s sessions.

The below image cannot be emphasized enough – the volunteers drawn from all walks of the industry drive the content and mission of BISG, making meaningful events like the annual meeting itself and the ongoing webinars throughout the year possible.

Man standing at a podium with a presentation screen behind him showing squares with words including metadata, workflow, rights, supply chain and subject codes
Brian O’Leary, Executive Director of BISG, delivers closing keynote for the 2024 Annual Meeting
Presentation slide outlining future possibilities for publishing industry in North America
What Does the Future Hold – BISG 2024 Annual Meeting

In closing, what does the future hold? Well, Brian shared a few ideas but in the theme of the day’s session, why not join BISG, attend a committee meeting to contribute your voice to the discussion and help steer publishing’s future? More about BISG membership, which is open to companies and individuals, is available here.

Contact Us at Westchester to talk about highlights from the day, and ways we’re helping BISG member orgs and our hundreds of publisher clients around the world with their workflow challenges.

 

Filed Under: blog, Conferences, News, Services Tagged With: accessibility, BISAC, BISG, Booknet Canada, committees, discoverability, diversity, efficiency, growth mindset, industry communication, metadata, ONIX, publishing industry, representation, rights, royalties, Stationers' Company, supply chain, Thema, workflow, working groups

January 23, 2023

by Tyler M. Carey, Chief Revenue Officer

It has been longer than I would have liked since I last shared a post-conference blog post. I am glad that NYC’s Digital Book World (DBW), held January 16-18 at the Sheraton on Seventh Avenue, afforded me the opportunity to reconnect in person with many of Westchester’s partners and those of our clients who were able to make the trip to New York for the meeting.

As noted by Lorraine Shanley in her coverage of DBW in MPI’s Publishing Trends newsletter, the attendance was a bit upside down with far more vendor and industry types than publishers, it appeared. That said, the panels presented provided more than a little food for thought on topics ranging from the role of AI in publishing, to how to market books effectively online in the current landscape, to where we’re all headed as an industry.

Screenshot from keynote speechIt was on that latter topic that Margot Atwell, the executive director and publisher of The Feminist Press, provided an insightful session. She revisited a presentation she had shared at London Book Fair in 2019, in which she had identified a number of trend lines in the industry – including equity, consolidation, and the financial health of the industry – and updated her analysis and predictions for 2023. Whether you were representing a vendor, a large publisher, or a start up, her insights on how to foster equity, continue to adapt to a distributed workplace, and navigate the financial and societal challenges in our industry resonated.

Aligned with another one of Westchester’s core principles was the panel on accessibility hosted by Bill Kasdorf, who was a panelist on our September 2022 webinar about accessibility and sustainability. Joining Bill were Michael Johnson from Benetech, Madeleine Rothberg from WGBH, and Richard Orme from the DAISY Consortium. As a Benetech GCA-certified partner, Westchester is keen to help amplify the messaging around not just the needs for accessibility but also the best practices that publishers can adapt into their workflows. Each panelist shared a headline and several discussion points with one another to help further discussion about the needs for publishers to accelerate their adaptation to support readers requiring accessible content. As the coverage of Day 1 of the conference in Publishers Weekly emphasized, Michael Johnson laid out numerous examples of the prevalence within the population of individuals who need or use adaptive technology to consume content. With an estimated 20% of the world’s population having a need, this isn’t a nice to have, it’s a necessity for ensuring as many readers can consume your content as possible.

Bill Kasdorf put perhaps the finest point on the subject by pointing out that due to the European Accessibility Act, if you plan on selling any ePub content in Europe by 2025, that content has to be created accessible or converted to accessibity standards – including backlist content – or it will be illegal to sell within the EU. But, to the point of everyone on the panel, that doesn’t necessarily mean a gigantic investment of resources or a total revision to how you create content. Micromoves internally and with partners can help pick away at the pile quickly and affordably. One key topic that seems to frustrate many publishers is that of alt text. While there are commonly accepted practices, the ‘right’ alt text is not codified the way that say metadata rules might be. As Michael Johnson pointed out, the same image could have different tags depending on its use. An image of the Eiffel Tower in a cookbook about crepes may be ornamental – not relevant to how to make a crepe – so it could just be labeled as “Ornamental” in its alt text entry. In a book about Paris, perhaps a few brief sentences describing the image of the Eiffel Tower would be appropriate. In an engineering book, the Eiffel Tower image might be being used to augment some content about the tensile strength of steel so a different, brief entry would be called for. But in none of these instances is a thoroughly written, revised, and breathtaking narrative called for – alt text entries are there to tell a reader what is in the image, not replace the content that is already in the text that the image is intended to augment. And to Madeleine Rothberg’s point, there is a metadata field called “Accessibility Summary” in each file that allows you to make notations re: pieces that are works in progress, absent, etc., understanding that there will be exceptions and things that may need further attention after initial creation or conversion. We’re all learning new things regarding accessibility – even those of us who are deeply involved in accessibility – and this field serves as a placeholder to indicate where we think something may need to be revisited.

To help us all navigate the world of accessibility, and better plan for the looming EU deadline referenced above, a number of resources were shared by the panel that Bill Kasdorf consolidated here. I highly encourage you to review these resources and share them with any of your team involved in working with authors, editing content, and producing digital files.

Other excellent sessions included Ingram’s presentation about its Ingram iD platform, which allows for direct-to-consumer marketing, sessions from Scribd and Spotify about different revenue models for content distribution, and sessions from AI firms showing how audiobooks and more can benefit from AI.

Westchester’s Vice President of Business Development and Marketing, Deb Taylor, attended DBW as well, and provided this commentary about ChatGPT coming out of a session hosted by another vendor in our space.

Deb shares:

DBW’s sessions were typically not company/product commercials, although like most conferences, a few did lean that way. When the Trends in Content Creation Using AI and Smart Technology session by PageMajik started, I think most expected it to be a carefully disguised commercial about their services. It turned out to be a micro master class in how to think about AI and, in this case, the “controversial” open source AI, GPT3 (or ChatGPT). Keep in mind, PageMajik wasn’t the only one discussing AI and how it has many places in publishing – we learned about interesting uses of AI in audiobook production workflows, and in the use of synthetic voice, too.

So while ChatGPT has been banned on some school networks due to fear of plagiarism, this session reminded us that this is just technology – clever technology, mind you – but still just technology, and we, as humans can make a choice in terms of how to use and deploy it.
“We can be lazy, or we can be productive. The choice is ours.” And yes, we should be mindful that clever technology like GPT, does need some guardrails so it can be harnessed with positive productivity, not laziness or malintent.

For those who are wondering how ChatGPT can be purposeful in the publishing industry, here are a few thoughts:

1. One potential use case is for content generation, where the model can be trained on a specific topic or writing style, and then used to generate new articles, blog posts, or other written content. Additionally, ChatGPT can be used for editing and proofreading by identifying grammar and style errors in existing text. It can also be used for summarizing long articles or books, creating headlines and summaries for news articles, and even writing personalized responses to readers’ questions or comments. Overall, ChatGPT offers a powerful tool for automating and enhancing various aspects of the publishing process.

2. Another area in the workflow that often requires much back and forth with authors and copyediting teams is the reviewing, checking, and correcting of references and citations. ChatGPT can help with reference citation checking in manuscripts by using natural language processing (NLP) techniques to identify and extract citations from the text. Once the citations have been identified, the model can then compare them to a database of references to ensure that they are accurate and properly formatted. Additionally, ChatGPT can also be trained on specific citation styles, such as MLA or APA, to ensure that the manuscript adheres to the appropriate guidelines. It can also be used to check for missing references or duplicate citations in the manuscript. Overall, ChatGPT can provide a powerful tool for automating the reference citation checking process, which can help to save time and improve the accuracy of the final manuscript.

I’ll leave you with this final disclosure: Both the paragraph on use cases and reference citations were written by ChatGPT, in seconds. Would that be categorized as lazy? No. I believe it was incredibly efficient, however, the best use may be more in the middle. Let ChatGPT be the tool to help you formulate your idea but perhaps not be used verbatim. After all, it’s just technology, and it’s using what it has access to. You still need to validate the information. Try it out for yourself here. And then make sure to ask what its limitations and challenges are.

In general, these new aspects of technology are exciting and ones that we should not be fearful of, but figure out how to use to improve and advance our industry as a whole.

While there was a bit of humor artfully weaved into Book.io’s session, Digital Ownership, NFTs and Revenue Streams for Publishers, there were some interesting things to think about as it relates to the personalized marketing opportunities and the new potential revenue stream that blockchain could offer. eBooks, as we know, are meant to be licenses to the individual to “view, use and display” without any permissions to sell, rent or distribute otherwise. Digital books on the blockchain change that paradigm, and also enable the publisher to experience an ongoing revenue stream from books sold here. Per Book.io, it will increase the intellectual property value of the content. There is also the opportunity for the publisher to direct market the owner since there is more visibility in the digital ownership – think here about gating content with permissions, and even price points to owners vs non-owners. There are efficiencies (multiple languages), interesting design opportunities (different cover designs), unique targeted marketing ideas, and more here. As with all new technology, let’s not dismiss or fear it, but rather let’s get to know and harness it to continue to advance our industry.

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Further coverage of DBW 2023 is available in this post from Publishing Perspectives that provides thorough coverage of keynote speaker Karine Pansa’s presentation about her mandate and expectations for her term heading the International Publishers Association, as well as this article from Publishers Weekly highlighting information for publishing start ups.

As always, US employee-owned Westchester Publishing Services is keen to learn more about which portions of your book production workflow you are navigating, in the hope that we can help. Over 500 publishers rely on Westchester for services ranging from manuscript preparation to editorial services to quality, on-time printer file production and accessibility remediation. Contact us today to talk about your publications and how we can help.

Filed Under: Conferences, News, Services Tagged With: accessibility, accessible ePubs, AI, artificial intelligence, audiobooks, blockchain, ChatGPT, conferences, content distribution, Digital Book World, editorial services, epub, EU Accessibility Act 2025, Events, intellectual property, International Publishers Association, IP, IPA, metadata, NLP, production services, publishers, workflow

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Privacy & Cookies Policy

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